and 2019's genre-wicking Igor earned Grammy glory, the boisterous kerfuffle surrounding his old lyrics having essentially evaporated amid commercial and critical acclaim. All of his albums debuted at or near the top of the charts in the U.S. 5 on the Billboard 200 album charts, a clear indication of success.īut for all the drama and discourse surrounding Tyler and his band of merry (mostly) men at that time, he's a vastly more respected artist now. The insular full-length, an aural tangle of inside jokes and persona-led world-building, peaked at No. Nonetheless, putting out this largely self-produced effort on the same label as indie rockers Vampire Weekend and then-rising star Adele put him in front of audiences that otherwise might not have heard him rap, at least not at that stage in his career. This isn't to suggest he was some unknown. I'm pegging that to May 10, 2011, when XL Recordings put out Goblin, the debut album from the Odd Future collective's lead instigator. With all due respect to the earliest adopters and online elites, it's been about ten years now since listeners first became aware of Tyler, The Creator.
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